Sandro Botticelli at Uffizi Gallery

Few artists capture the magic of the Renaissance like Sandro Botticelli. His paintings blend beauty, myth, and devotion in ways that feel timeless. At the Uffizi Gallery in Florence, you can admire his most famous works up close, including The Birth of Venus and Primavera.

Botticelli’s art is displayed prominently on the gallery’s second floor, where his delicate brushwork and luminous colors remain crowd favorites. All his paintings can be viewed with your standard Uffizi Gallery ticket, so no separate booking required.

Botticelli's paintings at the Uffizi Gallery

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Birth of Venus

Located in Room 10–14 (Botticelli Rooms)

Perhaps Botticelli’s most famous painting, The Birth of Venus shows the goddess emerging from the sea on a shell, blown ashore by the winds of love. Painted around 1485, it was likely commissioned by the Medici. Its graceful figures, flowing lines, and luminous colors made it a symbol of Renaissance beauty.

Explore Birth of Venus in detail

Primavera

Located in Room 10–14 (Botticelli Rooms)

Also known as Allegory of Spring, this masterpiece depicts Venus surrounded by mythological figures, celebrating love, fertility, and rebirth. Commissioned by the Medici around 1480, it’s one of the most analyzed works of Renaissance art. Visitors love discovering the hidden details, like the hundreds of botanically accurate plants woven into the scene.

See what makes Primavera famous

The Adoration of the Magi

Located in Room 10–14 (Botticelli Rooms)

This altarpiece shows the Three Wise Men visiting the infant Christ, but it’s also filled with portraits of Florence’s elite, including members of the Medici family. Botticelli even painted himself into the scene, gazing out at the viewer.

Madonna of the Pomegranate

Located in Room 10–14 (Botticelli Rooms)

In this delicate painting, the Virgin Mary holds a pomegranate, symbolizing both Christ’s future sacrifice and eternal life. Botticelli’s soft lines and elegant figures give the work a serene, timeless quality.

Tips for viewing Botticelli at the Uffizi

⌛Time it right
Rooms 10–14 are crammed by mid-morning. Arrive just after opening or around 5 p.m., when light filters in softly and tours have thinned out.

🧑‍🎨Rooms 10–14 are the Botticelli core
Don’t just rush to Venus. Start with his early works (Fortitude, Adoration of the Magi) to see how he evolved, then build up to the mythologies.

🌊The Birth of Venus – find the “wave line”
Stand left of center, eye-level with the seashell. From here you’ll see how Botticelli connects Venus, Zephyrus, and the nymph with one continuous flowing line.

🌸Primavera – scan Mercury first
Most eyes go to Venus or the Three Graces. Instead, start with Mercury at the far left. His gesture of parting the clouds “frames” the narrative and balances the painting’s chaos.

🐴Hidden gem: Pallas and the Centaur
Easy to overlook, but linger here. Notice how Pallas (Athena) tames the centaur. It’s an allegory of Florence’s triumph over brute force. Look at the tiny knots on her dress; they’re Medici symbols

🔎Adoration of the Magi – Botticelli’s cameo
Spot him at the far right, in a golden cloak, staring straight at you. It’s his subtle way of stepping into history alongside the Medici.

🕍Don’t forget the altarpieces
Works like Coronation of the Virgin and St. Augustine in His Study show his crisp linework and theological depth. They give a counterbalance to the dreamy mythologies.

Get front-seat tickets to see Botticelli at his best

Uffizi Gallery Guided Tour With Skip-The-Line Entry Tickets

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Uffizi Gallery Private Tour

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1 hr. 40 min.

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Brief history of the life and times of Sandro Botticelli

1445 – Sandro Botticelli is born in Florence.
1460s – Apprentices under Fra Filippo Lippi, mastering graceful figures and delicate lines.
1470s – Gains Medici patronage; paints mythological themes blending classical and Christian ideals.
1480s–1490s – Peak years; creates The Birth of Venus and Primavera for the Medici villas.
1490s – Religious fervor under Savonarola shifts his work toward stark, mystical imagery, as Savonarola, a preacher, was against 'vanities' of excess, including art.
Early 1500s – Renaissance tastes evolve more toward the dramatic realism of da Vinci and Michelangelo.
1800s – Rediscovered by the Pre-Raphaelites, restoring his place as a Renaissance master.
Today – His dreamlike mythologies are icons of world art, drawing millions to the Uffizi.

Did you know?

The Birth of Venus was one of the first large-scale paintings in Renaissance Florence to be created on canvas instead of wood.
Look closely at Primavera: over 500 types of plants and flowers have been identified in the scene.
Botticelli illustrated parts of Dante’s Divine Comedy, though many drawings remain unfinished.
After his death in 1510, Botticelli was largely forgotten until the 19th century, when the Pre-Raphaelites revived his fame.
He is buried in Florence’s Ognissanti Church, where you can still visit his grave today.

Sandro Botticelli's artistic style

Botticelli’s art belongs to the Italian Renaissance, a movement focused on harmony, beauty, and classical inspiration. His figures are instantly recognizable for their graceful lines, delicate faces, and flowing drapery.

He often painted with tempera on wood, a medium that allowed for fine detail and luminous color. Unlike some of his contemporaries who embraced strict perspective, Botticelli leaned toward decorative elegance and symbolic storytelling. Mythology, allegory, and religious devotion were recurring themes.

His style bridges medieval tradition and Renaissance innovation, making his works feel timeless—romantic, poetic, and rich with meaning.

Botticelli vs other Renaissance masters

Angel Gabriel and Virgin Mary in a garden, part of Florence in a Day tour with Uffizi Gallery.

Botticelli vs Leonardo da Vinci

Leonardo sought precision, anatomy, and scientific truth. Botticelli, by contrast, embraced elegance over accuracy. His figures elongated, stylized, and symbolic. Where Leonardo painted reality, Botticelli painted ideals and myths.

See Leonardo at the Uffizi

Annunciation | Leonardo Room, Second Floor
Baptism of Christ | Leonardo Room, Second Floor

Crowd viewing Michelangelo's Doni Tondo at Uffizi Gallery, Florence.

Botticelli vs Michelangelo

Michelangelo filled his canvases with muscular power and monumental tension. Botticelli chose lyricism and delicacy instead. His work whispers where Michelangelo’s roars, inviting reflection rather than awe.

See Michelangelo at the Uffizi

Doni Tondo | Michelangelo and the Florentines, Second Floor

Discover the Doni Tondo in detail

Madonna of the Goldfinch by Raphael, depicting Mary with two children in a landscape.

Botticelli vs Raphael

Raphael perfected harmony and balance, painting serene, mathematically structured worlds. Botticelli’s canvases are freer, more fluid, often mysterious. His art bends rules in favor of storytelling and emotional resonance.

See Raphael at the Uffizi

Madonna of the Goldfinch | Second Floor

Where else to see Sandro Botticelli

The Louvre, Paris

Venus and Mars

This painting shows love triumphing over war: Venus serene and awake, Mars languid in slumber, surrounded by playful satyrs, symbolizing harmony conquering chaos.

Visit the Louvre

The National Gallery, London

Portrait of a Young Man

Capturing Renaissance elegance with sharp contours, direct gaze, and refined detail, this piece reflects individual identity and humanist ideals of 15th-century Florence.

Book National Gallery tickets

Prado Museum, Madrid

The Story of Nastagio degli Onesti

Botticelli’s Story of Nastagio degli Onesti unfolds Boccaccio’s tale in vivid panels, blending romance, tragedy, and morality with refined detail, courtly elegance, and a dramatic narrative pace.

Buy Prado Museum tickets

Gemäldegalerie, Berlin

Portrait of Giuliano de' Medici

An homage to the Medici family, this one presents the nobleman with solemn dignity, sharp profile, and austere dress, embodying Florence’s political intrigue during the Renaissance.

Why Botticelli matters today

Botticelli isn’t just a Renaissance name, he’s a modern icon. His Birth of Venus has inspired everything from fashion editorials to album covers, showing up in brands like Dolce & Gabbana and in pop videos. The Pre-Raphaelite Brotherhood in 19th-century England revived his dreamy figures, cementing his legacy as the painter of beauty and mystery. Today, whether you scroll Instagram, flip through Vogue, or spot an art reference in film, chances are Botticelli’s Venus is still looking back at you.

Frequently asked questions about Sandro Botticelli

Do I need a separate ticket to see Botticelli’s works at the Uffizi?

No, his paintings are included with the standard Uffizi Gallery ticket.

Where are Botticelli’s works located in the Uffizi?

You’ll find them in Rooms 10–14, often referred to as the Botticelli Rooms.

How much time should I plan for Botticelli’s works?

At least 30–45 minutes, especially if you want to admire more than The Birth of Venus and Primavera.

What’s the best time to visit to avoid crowds?

Mornings right after opening (8:15am) or later in the evening around 5pm are less crowded.

Can I see Botticelli’s works elsewhere in Florence?

Yes, some works are also housed in the Accademia and smaller Florentine churches, like the Church of Santa Maria Novella (Adoration of the Child) and the Church of San Salvatore in Ognissanti.

Why is Botticelli considered unique among Renaissance artists?

His art combines mythological storytelling, decorative elegance, and emotional depth, making it both intellectual and poetic.